Full Cast Audiobooks

Watch on YouTube Subscribe to Cozy Audiobooks

Around the World in Eighty Days full cast audiobook

by Jules Verne

Released · Updated · 6h 28m · 39 voices

The story (no spoilers)

Phileas Fogg, an exact and silent London gentleman in 1872, wagers £20,000 at the Reform Club that he can travel around the world in eighty days. The claim rests on a simple idea: steamships and new railways have made the globe smaller than anyone admits. Fogg sets out that same evening from Saville Row with a carpetbag, a strict timetable and Passepartout, a French valet who was once an acrobat and a fireman, and who only wanted a quiet position. Their route carries them from Suez to Bombay, across India, and onward to Hong Kong, Yokohama and San Francisco. Each stage hands them fresh trouble, from missed connections to hostile terrain, and every lost hour is one they cannot recover. Meanwhile a detective named Fix has seen a description of a bank robber and decides that the unruffled traveller matches it. He begins to follow them across continents. The book asks whether one man's discipline can hold against the whole unpredictable world.

The cast

21 speaking roles are listed; walk-on parts are not. Each voice was designed, or chosen from our library of designed voices, to fit how the book describes the character, and it stays with them from the first chapter to the last. Portraits are illustrated impressions of each character.

  • Illustrated portrait of Phileas Fogg: about 40, light blond, neatly parted, claret-red cravat under black frock coat

    Phileas Fogg

    Male, about forty years old, an Englishman living in London in 1872, a wealthy gentleman and club member of independent means. He has a clipped upper-class received pronunciation, with a smooth, even, mid-low baritone and a tall, composed frame. He speaks slowly and precisely, in a placid flat tone, never raising his voice. Tranquil, taciturn, exact and phlegmatic.

  • Illustrated portrait of Passepartout: about 30, tumbled chestnut-brown, somewhat untidy, striped canary-yellow waistcoat with open collar

    Passepartout

    Male, about twenty-eight years old, a Frenchman living in London in 1872, a working-class manservant who has tried many trades. He speaks English with a clear French accent, in a light, bright, slightly nasal tenor. He talks quickly and eagerly, with warm, flustered bursts of energy. Warm-hearted, excitable, a little vain and endlessly willing.

  • Illustrated portrait of Fix: about 38, black, slicked flat under hat, olive-green overcoat with turned-up collar

    Fix

    Male, about thirty-eight years old, an Englishman travelling the world in 1872, a lower-middle-class police detective. He has a London accent with a slight Cockney edge, and a sharp, nasal, medium-high tenor, a little strained. He speaks in quick, tight bursts, lowering his voice to confide. Intent, nervous, scheming and quietly self-satisfied.

  • Illustrated portrait of Andrew Stuart: about 50, thinning auburn, combed over, mustard-yellow waistcoat, black coat

    Andrew Stuart

    Male, about fifty years old, an Englishman living in London in 1872, a middle-class engineer and club member. He has a northern English educated accent, with a thin, reedy, slightly dry tenor. He speaks in fussy, uneven phrases that rise when he is annoyed. Nervous, easily irritated and sceptical.

  • Illustrated portrait of Aouda: about 22, glossy black, long, parted in middle, rose-pink silk shawl over European travelling dress

    Aouda

    Female, about twenty-four years old, a Parsee woman raised in the English manner, travelling from India in 1872, a gentle upper-class widow. She speaks English with great purity, in a soft, light accent faintly touched by India, in a sweet, soft, warm soprano. She speaks gently and a little slowly. Grateful, brave and devoted.

  • Illustrated portrait of Andrew Speedy: about 55, grizzled iron-grey, cropped, balding crown, navy-blue peacoat with brass buttons

    Andrew Speedy

    Male, about fifty-two years old, a Welshman from Cardiff living in 1872, a working-class ship captain and owner. He has a Cardiff Welsh accent, with a gruff, rough, low baritone roughened by sea air. He speaks in short, curt, clipped replies. Stubborn, quick-tempered and fond of money.

  • Illustrated portrait of John Bunsby: about 45, sandy-red, wind-tossed, teal-blue jersey under oilskin

    John Bunsby

    Male, about forty-five years old, an Englishman at a Hong Kong harbour in 1872, a working-class pilot-boat master. He has a broad West Country burr, with a low, weathered, sunburnt baritone. He speaks in a steady, rolling drawl, dropping to a murmur when confiding. Proud of his boat, self-reliant and cautious.

  • Illustrated portrait of Sir Francis Cromarty: about 50, fair going sandy-grey, short, scarlet-trimmed tunic collar under tweed travelling coat

    Sir Francis Cromarty

    Male, about fifty years old, a Scottish army general serving in India in 1872, an upper-class career soldier. He has an educated Scottish accent, with a warm, firm, mid-range baritone and a tall, upright bearing. He speaks briskly and plainly, growing warmer in debate. Sensible, conventional and kindly.

  • Illustrated portrait of Colonel Proctor: about 45, black, wavy, oiled, brown plaid frock coat, maroon vest

    Colonel Proctor

    Male, about forty-five years old, an American travelling in San Francisco and the Western railroads in 1872, a middle-class militia colonel. He has a loud General American accent, with a rough, nasal, strong baritone. He speaks in a swaggering, insolent drawl, fairly fast and carrying. Quarrelsome, bold and full of himself.

  • Illustrated portrait of Judge Obadiah: about 58, bald crown with white side tufts, scarlet-trimmed black robe with white bands

    Judge Obadiah

    Male, about fifty-eight years old, a British magistrate in Calcutta in 1872, an upper-middle-class judge, fat and round. He has a pompous English received pronunciation, with a heavy, wheezy, plummy baritone. He speaks in a formal, deliberate manner with fussy pauses. Stern, vain about his dignity and easily fretted.

  • Illustrated portrait of Gauthier Ralph: about 60, silver, swept back, charcoal frock coat, dove-grey silk tie

    Gauthier Ralph

    Male, about fifty-six years old, an Englishman living in London in 1872, a wealthy bank director and club member. He has a smooth upper-class received pronunciation, with a rich, deep, mellow bass-baritone. He speaks slowly and politely, with well-rounded phrases. Courteous, composed and trusting.

  • Illustrated portrait of John Sullivan: about 52, thick grey, side-parted, bottle-green waistcoat, stiff wing collar

    John Sullivan

    Male, about forty-four years old, an Irish-born banker living in London in 1872, a prosperous middle-class man. He has a light Irish accent, with a bright, clear, mid-high tenor. He speaks at a brisk, businesslike pace, reading figures crisply. Cordial, earnest and a little emotional.

  • Illustrated portrait of Mr. Batulcar: about 60, grey, thick, curling, purple velvet jacket, gold braid

    Mr. Batulcar

    Male, about sixty years old, a showman living in Japan in 1872, a working-class troupe proprietor with a thick grey beard. He speaks with a heavy, gravelly, theatrical voice and a rough cosmopolitan accent, an English tinged with Japan-port patois. He speaks bluntly in loud, teasing bursts. Shrewd, brash and sly.

  • Illustrated portrait of Thomas Flanagan: about 48, ginger, thinning, curly fringe, tobacco-brown coat, cream cravat

    Thomas Flanagan

    Male, about fifty-two years old, an Englishman living in London in 1872, a prosperous middle-class brewer. He has a hearty Midlands accent, with a big, gruff, round baritone and a stout build. He speaks in a loud, relaxed, easy drawl. Jovial, opinionated and sceptical.

  • Illustrated portrait of Oysterpuff: about 35, sandy-ginger, lank, centre-parted, long over ears, rust-brown coat, white neckcloth

    Oysterpuff

    Male, about forty years old, an English court officer in Calcutta in 1872, a lower-middle-class official. He has a plain London accent, with a reedy, high-mid, slightly nasal tenor. He speaks in eager, proud, quick phrases. Dutiful, officious and pleased to be useful.

  • Illustrated portrait of Forster the engineer: about 40, dark brown, grimy, shaggy under cap, blue denim overalls, red bandana

    Forster the engineer

    Male, about forty years old, an American living in the western United States in 1872, a working-class railroad locomotive engineer. He speaks with a plain American accent with a Yankee twang, in a rough, medium-low baritone with a weathered, slightly hoarse timbre from years beside the engine. He speaks in brisk, steady, practical phrases that carry well. Resourceful, bold and matter-of-fact, calm and confident.

  • Illustrated portrait of Samuel Fallentin: about 55, silver-white, receding, smooth, navy frock coat, silver-grey ascot

    Samuel Fallentin

    Male, about forty-eight years old, an Englishman living in London in 1872, a wealthy banker. He has a soft upper-middle-class English accent, with a warm, quiet, gentle tenor. He speaks slowly, calmly and soothingly. Calm, patient and reasonable.

  • Illustrated portrait of Elder William Hitch: about 50, long lank grey, black preacher's coat, white shirt

    Elder William Hitch

    Male, about fifty years old, an American Mormon missionary travelling by rail across Utah in 1872, a working-class preacher. He has a Western American accent, with a ringing, hard, high baritone. He speaks in fervent, rapid, rising bursts like a pulpit speaker. Irritable, zealous and combative.

  • Illustrated portrait of Mudge: about 38, tawny blond, shaggy, fur-trimmed buffalo coat, orange scarf

    Mudge

    Male, about forty years old, an American plainsman on the Nebraska prairie in 1872, a working-class sledge driver. He has a flat Midwestern accent, with a lean, dry, medium tenor roughened by cold air. He speaks in a confident, easy, cheerful drawl. Self-assured and practical.

  • Illustrated portrait of James Forster: about 22, flaxen blond, neat, striped brown-and-gold livery waistcoat

    James Forster

    Male, about twenty-four years old, an Englishman living in London in 1872, a working-class manservant. He has a London accent with soft, deferential vowels, in a light, clean, slightly nervous tenor. He speaks politely and quietly at a measured pace. Dutiful and anxious to please.

  • Illustrated portrait of Lord Albemarle: about 78, thin white, wispy, plum smoking jacket, black cravat

    Lord Albemarle

    Male, about seventy-eight years old, an English peer living in London in 1872, an elderly, frail, wealthy aristocrat. He has an old-fashioned upper-class received pronunciation, with a thin, quavering, shaky high baritone. He speaks very slowly with long pauses. Patriotic, dignified and stubborn.

Chapters

37 chapter markers; each link opens the video on YouTube at that point.

  1. Chapter 1: In Which Phileas Fogg and Passepartout Accept Each Other…
  2. Chapter 2: In Which Passepartout Is Convinced That He Has at Last…
  3. Chapter 3: In Which a Conversation Takes Place Which Seems Likely to…
  4. Chapter 4: In Which Phileas Fogg Astounds Passepartout, His Servant
  5. Chapter 5: In Which a New Species of Funds, Unknown to the Moneyed…
  6. Chapter 6: In Which Fix, the Detective, Betrays a Very Natural…
  7. Chapter 7: Which Once More Demonstrates the Uselessness of Passports…
  8. Chapter 8: In Which Passepartout Talks Rather More, Perhaps, Than Is…
  9. Chapter 9: In Which the Red Sea and the Indian Ocean Prove Propitious…
  10. Chapter 10: In Which Passepartout Is Only Too Glad to Get Off with the…
  11. Chapter 11: In Which Phileas Fogg Secures a Curious Means of…
  12. Chapter 12: In Which Phileas Fogg and His Companions Venture Across…
  13. Chapter 13: In Which Passepartout Receives a New Proof That Fortune…
  14. Chapter 14: In Which Phileas Fogg Descends the Whole Length of the…
  15. Chapter 15: In Which the Bag of Banknotes Disgorges Some Thousands of…
  16. Chapter 16: In Which Fix Does Not Seem to Understand in the Least What…
  17. Chapter 17: Showing What Happened on the Voyage from Singapore to Hong…
  18. Chapter 18: In Which Phileas Fogg, Passepartout, and Fix Go Each About…
  19. Chapter 19: In Which Passepartout Takes a Too Great Interest in His…
  20. Chapter 20: In Which Fix Comes Face to Face with Phileas Fogg
  21. Chapter 21: In Which the Master of the “Tankadere” Runs Great Risk of…
  22. Chapter 22: In Which Passepartout Finds Out That, Even at the…
  23. Chapter 23: In Which Passepartout’s Nose Becomes Outrageously Long
  24. Chapter 24: During Which Mr. Fogg and Party Cross the Pacific Ocean
  25. Chapter 25: In Which a Slight Glimpse Is Had of San Francisco
  26. Chapter 26: In Which Phileas Fogg and Party Travel by the Pacific…
  27. Chapter 27: In Which Passepartout Undergoes, at a Speed of Twenty…
  28. Chapter 28: In Which Passepartout Does Not Succeed in Making Anybody…
  29. Chapter 29: In Which Certain Incidents Are Narrated Which Are Only to…
  30. Chapter 30: In Which Phileas Fogg Simply Does His Duty
  31. Chapter 31: In Which Fix, the Detective, Considerably Furthers the…
  32. Chapter 32: In Which Phileas Fogg Engages in a Direct Struggle with…
  33. Chapter 33: In Which Phileas Fogg Shows Himself Equal to the Occasion
  34. Chapter 34: In Which Phileas Fogg at Last Reaches London
  35. Chapter 35: In Which Phileas Fogg Does Not Have to Repeat His Orders…
  36. Chapter 36: In Which Phileas Fogg’s Name Is Once More at a Premium on…
  37. Chapter 37: In Which It Is Shown That Phileas Fogg Gained Nothing by…

About this recording

Narrator
Hugh Ellery, our house narrator voice
Runtime
6h 28m (complete and unabridged)
Voices
39
Channel
Cozy Audiobooks on YouTube
Released
Updated
Author
Jules Verne
First published
1872
Kind
adventure novel
Source edition
Project Gutenberg eBook #103
Public domain (US)
Around the World in Eighty Days (1873) by Jules Verne is in the public domain in the United States; text from Project Gutenberg.